Oliver Sacks, the eminent neurologist and writer, whose many books have done perhaps more than any other body of work to explain the mysteries of the brain to a general readership, is a strong supporter of the “narrativity” theory of the human subject. Suitably enough – given this is an autobiography – Sacks restates the notion here: “Each of us … constructs and lives a ‘narrative’ and is defined by this narrative.” Elsewhere he asserts: “I suspect that a feeling for stories, for narrative, is a universal human disposition, going with our powers of language, consciousness of self, and autobiographical memory.” Setting to one side the truth or otherwise of this contention (personally I think it’s only the social being that is narrated – to ourselves we are always “such stuff as dreams are made of”), for a man who views his life in dramatic terms, On the Move presents the reader with some quite startling narrative leaps.
Nonexpert and deliberately eclectic research notes on episodic memory and visual images in the arts and sciences.
Tuesday, 19 May 2015
Narratives again ... this time from Will Self
In his sympathetic review of Oliver Sacks' new autobiography, On The Move, Will Self remarks: